Loudness?

Anyone who has taken a look around this site should soon realize that I really like my low power amplifiers. What this means is that most of my listening is at lower volume levels. Now the only problem with this is that the sensitivity of the human ear to different frequencies is dependent on volume level. So at low volume levels, the ear has relatively poor sensitivity to both low and high frequencies. And the quieter the music gets, the worse the mismatch becomes. Traditionally the answer to this conundrum  was the humble “loudness” control.

The typical approach was simple. Using a tap on a normal volume potentiometer, usually between the 40% and 50% shaft rotation point, a tone shaping circuit could be switched in, or permanently wired in, to boost these less sensitive frequencies at lower volumes. The only problem was that some of these controls really helped and some did more harm than good. And trying to discern good circuits from bad is not a simple task.

After poking around on the internet and doing some numerical analysis of various circuits I came to a simple conclusion. Although I could easily analyze and numerically define the characteristics of several different circuits, I could not in any useful way determine what was good or bad about the curves I generated. It was clear that I needed to put my ears to work to answer my questions about using those ubiquitous little “loudness” taps on so may audio taper potentiometers.

So i decided that I would put together a little volume control that would allow me to perform some simple experiments. It looks like this:

This is just a little stereo breakout box that allows me to construct some simple tone shaping circuits with a tapped 100kΩ stereo potentiometer. The binding posts bring out the inputs, the taps on the control, and the ground references for both the left and right channels.  This way I can try out different configurations and do both numerical measurements and test circuits with my ears to see which ones are to my liking.

I am just getting down to doing some data collections and some hearing tests. Soon I should have a whole writeup on what I find. Maybe it will help some other people make use of those mysterious little “loudness” taps.

5 thoughts on “Loudness?

  1. Well, I’ve only completed a single configuration so far but what I’m learning is reinforcing my initial suspicions. The loudness tap is a “quick fix” not a great solution. However, there is much more work to do before passing final judgement.

    • Probably why loudness controls disappeared. They have a more or less fixed compensation. Tone controls or equalizers are a better solution. With them you can “season to taste”.

  2. I haven’t seen loudness pots in years. Can you point me to a currently active source. My builds would do best with a 10K or so pot. Might be interesting to try something from my youth one more time.

    • Alps still makes them as does BI Technologies. The APLS 27K have a version with 40% loudness taps and the BI Technologies P272 series is a 50% tap. Alps also makes one exclusively for RadioShack but only in 100kΩ.

      • Thanks! I will look into Alps and Bl. I have some loudness pots on hand but most are 1 meg – salvaged out of old tube gear.

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