Update on the SET Chassis

So I’ve been playing with the copper tarnish/patina process and I think I’ve got it figured out. After doing lots of small parts with various approaches I’ve learned enough to start the amp pieces. Among the things I’ve learned is that the washing process both before immersion in the chemical bath and after tarnishing while washing off the chemicals is very important. I’ve also learned that an even buff with a steel wool is better than taking the copper to a high gloss shine. And finally, the initial tarnish is very fragile. After doing the bath and letting the piece dry, it really should be left sitting in the open air for between three and five days. After this, the oxide layer toughens up and it can be handled and clear coated.

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Copper Patina for the 6AS7 SET

As I mentioned back in June, I have been looking at different finishes for the copper portions of my 6AS7 SET amp. At that time I had mentioned that I was interested in a “patina” type finish for the copper. I learned that to many people copper patina means green tones, blue corrosion, and wild colors. I was looking for something more like a tarnished penny look. Something that would make the unit look more like an older piece of equipment. Unfortunately this was to be more involved than I first imagined.

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Design Details

I have been doing internal layout work and making some design decisions concerning the new SET amplifier. I have also been looking at different materials and I decided that I wanted to make the top plate holding the transformers and tubes of brushed copper. While this is an simple decision to make at this point, it raises the issue of what wood to choose for the chassis frame.

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