Update on the SET Chassis

So I’ve been playing with the copper tarnish/patina process and I think I’ve got it figured out. After doing lots of small parts with various approaches I’ve learned enough to start the amp pieces. Among the things I’ve learned is that the washing process both before immersion in the chemical bath and after tarnishing while washing off the chemicals is very important. I’ve also learned that an even buff with a steel wool is better than taking the copper to a high gloss shine. And finally, the initial tarnish is very fragile. After doing the bath and letting the piece dry, it really should be left sitting in the open air for between three and five days. After this, the oxide layer toughens up and it can be handled and clear coated.

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Copper Patina for the 6AS7 SET

As I mentioned back in June, I have been looking at different finishes for the copper portions of my 6AS7 SET amp. At that time I had mentioned that I was interested in a “patina” type finish for the copper. I learned that to many people copper patina means green tones, blue corrosion, and wild colors. I was looking for something more like a tarnished penny look. Something that would make the unit look more like an older piece of equipment. Unfortunately this was to be more involved than I first imagined.

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One Last SET Driver Check

I took some time yesterday to perform a performance check on the driver for the 6AS7 SET. As some may recall, this driver was developed and prototyped back in 2015, and brass boarded in 2016, as a driver for the 6336 SET Amplifier. In the 6336 design it uses a 300v B+ to produce a swing of 82V peak to fully drive the big triode. However, in the unique power supply topology of the 6AS7 SET, there are some additional considerations.

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About That Bias Point

Back in June, in the Competing Priorities post when talking about the 6AS7 SET, I made the following statement:

I also had another idea this morning which may lead to a little more prototyping work to check out a theory I have (another potential delay). But if the experiment turns out well, I may move bias points around a little on the 6AS7.

Well, I spent this morning with some prototype circuits and a stack of tubes investigating the bias points for the 6AS7 SET power stage. And I learned a couple of important lessons.

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